Monday, December 10, 2018

The end is nigh...


Okay, here is what you need to send to me by Friday, December 14 by midnight:

1. First puke assignment
2. First Blog posts (blogs you like and where you live)
3. Second Blog Post (something that has struck a nerve)
4. Your Listicle
5. Your interview
6. Your reflection on writing this semester

These can be sent in one Google Drive Folder and shared with me. (Some of you have done that already) Each assignment should be a separate document. The final document is a reflection. Use the following questions to start your reflection:

  • How has your writing practice changed over the course of the semester?
  • What is the single most important tactic, idea, philosophy about writing that you learned this semester? 
  • How have you seen your own writing change over the course of the semester? 
  • What do you notice now as you read other's blogs and online writing? 
  • What do you look forward to writing in the future? 


Monday, December 3, 2018

Description - so easy and so hard


A Few Tips on Details
Here are different kinds of details...

  • Sensory details– which appeals to the sense of sight, smell, touch, hearing, taste. Example: It smelt like rotting food in a garbage can…It looked as if someone had taken a baseball bat, swung it widely, trashing the place….It tasted like stale, mouldy bread.  Here are some famous examples of smell: Proust’s lime-flower tea and madeleines; Colette’s flowers, which carried her back to childhood gardens and her mother, Sido; Virginia Woolf’s parade of city smells; Joyce’s memory of baby urine and oilcloth, holiness, and sin; Kipling’s rain-damp acacia, which reminded him of home and the complex smells of military life; Dostoyevsky’s ‘Petersburg stench’; Coleridge’s notebooks…
  • Concrete and specific details, not general and abstract. Example: Peter Wright, a student in grade 12, wrote a prose poem about social networking on Twitter.
  • Authentic details. Your details ought to be original. A good way to start is by freewriting and learning how to think “outside of the box.” In other words, you need to learn to create thinking skills, such as changing perspective, asking why, brainstorming, seeking out alternative ways of describing something.
  • Precise details, getting it “just right.” Use a dictionary and thesaurus.
  • Don’t be literal. Instead use figurative devices, such as simile, metaphor, symbol, allusion, personification

What to Avoid
You should avoid using the following types of detail:
  • Trite details (boring; not fresh or original)
  • Clichés (Language that has been overused in speech and writing)
  • Abstractions, which appeal to the intellect, not the senses. Use concrete and specific details instead. Example: Don’t say he was kind. Say "He smiled, opened the oak door, allowed me to enter the church first."
  • Vague details. You must be precise and specific.

Tell
Show
Kate was tired.
Kate rubbed her eyes and willed herself to keep them open.
It was early spring.
New buds were pushing through the frost.
Charlie was blind.
Charlie wore dark glasses and was accompanied by a seeing-eye dog.
Sheena is a punk rocker.
Sheena has three piercings in her face and wears her hair in a purple mohawk.
James was the captain.
“At ease,” James called out before relaxing into the Captain’s chair.


One of the most important attributes of a good piece of creative writing is that it includes vivid description, such as sensory details, concrete and specific descriptions, and figurative language such as simile and metaphor.

 Take a look at this description of a house …
Oak Tree Cottage had been uninhabited for more than a decade now. The once-white walls had turned the same dirty green as the pond out front, and the paint around the windows had either flaked or already been taken by the wind. Many of the terracotta roof tiles were missing, too – presumably smashed on the bricks below, though it was impossible to tell with the path ankle-deep in last season’s leaves.

Now compare it to this description, which moves a little…
Oak Tree Cottage had been uninhabited for more than a decade now. The once-white walls had turned the same dirty green as the pond out front, and the paint around the windows that hadn’t already gone was hanging off in flakes that swayed this way and that in the strengthening wind. Many of the terracotta roof tiles were missing, too – presumably smashed on the bricks below, though it was impossible to tell with the path ankle-deep in last season’s swirling leaves.

Better, right?

Not that there’s anything particularly wrong with the first description. Static descriptive writing can still be vivid and catch the reader’s eye.

Showing details in motion, though, can truly cause a “word picture” to come to life.
WORKED EXAMPLE
I want to finish by running through an example – a description of a kitchen in a house – which highlights the most important points. As I’ve said, the trick here is to…
1. not provide too many details
2. use only the best details.

I’ll restrict myself to mentioning just five things about this fictional kitchen. (It’s up to you, dear reader, to complete the picture for yourself.)

1 It has a stone floor.
2 There is a table in the middle.
3 The sink is full of last night’s pots and pans.
4 A clock is ticking.
5 The room smells of home baking.


Monday, November 26, 2018

How did your interview go?

What did you discover about yourself by doing this interview or working through the questions for this interview? 


  1. Note time, date and place of the interview
  2. Why did you choose this source for your story? 
  3. How is this source credible? 
  4. How did you to prepare for the interview?
  5. Which of your questions were most effective, if any?  Least effective, if any?
  6. What did you learn about interviewing, if anything?
  7. Summarize what information you gleaned from the interview that you can use in your story.

Record your interviews. Transcribe the questions as well as the answers. Do you ask more conversation stoppers than starters? Do you step on your subject’s words just as they’re beginning to open up? Do you sound like a caring, interested human being, or a badgering prosecutor? To be the best interviewer you can be, study yourself and let your failures and victories lead you to rich conversations and richer stories.

Monday, October 29, 2018

The more we talk to people the more we learn

 There are so many amazing people all around you, and interviewing them gives you not only a great excuse to meet and learn from them, but also a ready-made article that you can either post to your own website or try to pitch to other already-existing sites.

Whom you choose to interview will depend on many factors. The first factor is clearly your own area of interest and expertise.  


Part One – The agenda


  • Determine the purpose or goal of the interview.
  • Develop a brief statement that tells why this interview is being conducted.
  • Specifically, identify how this information will be used.
  • Make a list of the information required.
  • Draft questions that, when answered, will provide the necessary information to satisfy your goal. 
  • Make the questions flow. 
  • Open questions – questions of feeling, perspective, prejudice or stereotypes "How would you?" Make the demand about something. 
  • Closed questions – yes/no tunnel sequence often needs more open and probing questions to round out the interview. 
  • Probing questions – Follow-up question on vague, superficial or inaccurate information.
Some experts give tips and strategies ESPN 
Here is a video of Sawtasky


How to start an interview 

Part Two – Questions and questioning techniques

Part Three - push the probe


Elaboration – “What happened next?” “Could you go into that more?” “How did you feel about that?”

Clarification – “What do you mean by the word BLAH?” “Could you provide examples of what you mean by BLAH?”

Repetition – When the interview didn’t hear or is trying to evade the question. Repeat the question exactly as originally stated.

Confrontations – Calls attention to inconsistencies, misinterpretations or contradictions. These are best asked at the end of the interview after ideas are established from open and closed questions.

Mirror statements – Reflective or summary statements that indicate if the interviewee is being understood. “In other words, you are saying" . . .” Let me see if I am understanding you . . .”

Neutral phrases – Demonstrates attention, indicates interest and encouragement to keep people talking. “Oh” “I see” “Go on” “Wow” “And then?”

Silence – A powerful probe that gives both the interviewee and the interviewer time to think. Don’t rush through as this may be the only opportunity to talk with this person. Silence distinguishes the novice from the skilled interviewer.





Turn on your recording device NOW
Have them say and spell their name

Have them say their title
Listen, actively
Your source is a teacher
If they say something you don’t understand, ask them a follow-up or ask them to explain it in a different way

Even if you are recording, keep a pen and paper handy to write a note to yourself about something you might want to ask later.
Quotes, Quotes, Quotes

As the novelist Elmore Leonard said, “When people talk, readers listen.” In interviews, the writer listens for the telling remark that illuminates the person or the situation. Leonard says he lets his characters do the work of advancing his story by talking. He gets out of the way.
“Readers want to hear them, not me.”
Listen to the singer Lorrie Morgan talk about her problems: 

After her husband, the singer Keith Whitley, died of alcohol poisoning, Morgan was only offered slow, mournful ballads by her songwriters, she said in an interview with The Tennessean of Nashville.
“I mean, it was all kinds of dying songs,” she said. But then she fell in love with Clint Black's bus driver, and she decided to change her tunes.
“I said, 'I'm not going to do that. I'm not basing my career on a tragedy.' I live the tragedy every day without it being in my music.” Her life, she said, has turned around, thanks to her new love. “He's a wonderful, wonderful guy. This guy is very special, and I'm into him real bad.” However, not too long afterward Lorrie’s love life took a detour ¾ her affections switched to a politician.

For reader interest, for enthralled reading and viewing, direct contact with the individual interviewed is best achieved by letting interviewees speak.
Research shows that quotations are useful. S. Shyan Sundar of Pennsylvania State University found “the credibility and quality of stories with quotations to be significantly higher than identical stories without quotations.”
   
Take a look at these links to additional ideas about ways to interview.  





Your Assignment
Find someone interesting to interview based on the material on your blog. 


Many popular bloggers are conducting interviews – the benefits are numerous.
Interviews help you grow your readership and reputation in the following ways:

  • They allow you to start building relationships with your interviewees. Often these are people with a wider reach and greater influence who can help accelerate your own success.
  • They increase your credibility and reputation with your own audience (and new visitors) because people can see you virtually “hanging out” with big names.
  • They drive traffic to your blog, especially if your interviewee has a large audience. An interview is a magnet that attracts people who haven’t heard of you, but do know the person you’re interviewing.
  • They can help your audience solve specific problems by bringing someone else’s relevant experience and knowledge to their doorstep.
  • You can get a lot of traction from a single interview by bundling it with other content, creating a transcript or using it as the basis for a podcast.
Sometimes their correct address will be obvious; other times you’ll need to spend a little time searching for the right contact email.
But once you have this information, the following tips will increase your chances of getting a favorable response:
  • Prove you’ve done your homework. Highlight some information from your preliminary research that shows you understand who they are and what they’re up to.
  • Be on an intriguing mission. When you have a goal that people believe in, they’ll be excited about working with you. For instance, Henneke Duistermaat wants to “stamp out gobbledygook and to add sparkle to boring business blogs.”
  • Tell them they’re in good company. Mention other people you’re interviewing (or planning to interview). If you plan a mastermind series and there are other big names on your list, influencers won’t want to be left out.
  • Head off objections from the start. For instance: reassure them that the interview will be no longer than half an hour; tell them you’ll record it so you can do it anytime it’s convenient for them; say you’ll send your questions and all the other details ahead of time to make the process run smoothly.
  • Make the opportunity irresistibly tempting. Most authorities will recognize a chance to grow their audience if your listeners have similar interests. So emphasize those commonalities and let them know why you’re so excited to have them talk to your audience.
  • Pick the perfect moment. Influencers are particularly interested in accepting interviews when they are launching a new product, course, or book – so be on the lookout for those kinds of events.
Combine these ideas in your email and you’ll have a very convincing invitation indeed.
Here’s a template you can steal right now:
Hi [Name],
[Comment on their work, how you know them, if you appreciate their books, teaching, etc. Try to make this original and prove you’ve done your homework.]
I’m wondering if you would be willing to do a quick 30-minute interview sometime over the next few weeks?
I have a blog called [blog name and link]. I help [audience] to [goal].
I recently came across something you wrote/said [here] and I’d love for my audience to hear your take on [topic]. [Statement of why this is important to your audience, or what’s missing in the niche.]
I’ve also interviewed/am planning to interview [here’s where you can drop names, if applicable.] I’d love to include you as well.
The interview will be pre-recorded, so we can talk whenever it fits into your schedule and I’ll make sure to keep it to 30 minutes.
I’ll send you my questions ahead of time so there will be no surprises.
Please let me know a few times that work for you, and I’ll be happy to set it up.
Thanks,

Monday, October 22, 2018

Places to pitch

Places to pitch your material

How to write a pitch

This example lays it out really well. 
Plus the perfection of Ann Freidman



Opinion pieces


Flash Fiction and NonFiction

53 Paying Markets for Flash Fiction

Weird variety 

Where To Submit Writing 2018: 50 awesome websites For Writing Submissions

The end is nigh...

Okay, here is what you need to send to me by Friday, December 14 by midnight: 1. First puke assignment 2. First Blog posts (blogs you ...